Aaron Posner returns to the Rep after his stunning debut
When Mark Clements came to Milwaukee to be artistic director of the Rep, he brought musicals, a charming British accent and Aaron Posner.
A writer and director, Posner was responsible for the Rep's stunning production of "My Name is Asher Lev" in the Stiemke Theater in the fall of 2010. It was the high point of Clements' impressive inaugural season.
Posner adapted Chaim Potok's trenchant novel about the drives and stresses that affect artists, and he directed his muscular script with a spare beauty and an acute visual sensibility. It was simply splendid.
Now Posner is back at the Rep, staging "To Kill a Mockingbird," which opens in the Quadracci Powerhouse Theater Feb. 3. But that's not all.
Clements' introduction of his good friend to Milwaukee theater audiences with "Asher Lev" was the beginning of a growing presence for Posner in Wisconsin. He staged a richly detailed and emotionally vivid production of "The Glass Menagerie" at the American Players Theatre last summer. Posner and the APT had been discussing possible directing projects for several years, and it was coincidental that his first production there came on the heels of his Rep triumph.
"Over the last two years, I feel like I have fallen into the Wisconsin treasure trove of acting talent," the writer-director recently said before a rehearsal of "To Kill a Mockingbird."
Posner isn't just being polite. Within the past year he has taken APT actors Darragh Kennan and Sarah Day with him to do "The Comedy of Errors" at the Folger Theatre in Washington, D.C. (Kennan) and a new Ken Ludwig farce at the Cleveland Play House (Day).
Back in Milwaukee, In Tandem Theatre is getting in on the Posner party March 2 when it opens a production of his adaptation of another Potok novel, "The Chosen."
There is an irony here. Posner had never worked or been produced in the state before Clements brought him here in 2010, but the writer and director was born in Madison, where his father taught psychology at UW. The family moved to Oregon when young Aaron was a toddler.
Posner does not direct cookie cutter productions. His shows reflect a definite style and vision for the play he is staging.
"A lot of what I am trying to do is reveal by subtraction, not addition," he explained. "I start from asking, why not nothing, why not a bare stage? Why not have the actors wear their own clothes?"
He builds from there. "I wind up with a huge, beautiful, expensive version of a bare stage. It all comes down to the primacy of the story."
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