Bayside resident Mark Metcalf is an actor who has worked in movies, TV and on the stage. He is best known for his work in "Animal House," "Buffy the Vampire Slayer" and "Seinfeld."

In addition to his work on screen, Metcalf is involved with the Milwaukee International Film Festival, First Stage Children's Theater and a number of other projects.

He also finds time to write about movies for OnMilwaukee.com. This week, Metcalf weighs in on "Eagle Eye" and "Three Kings."

EAGLE EYE (2008)

This film is obviously derived from so many other movies it is dizzying. "2001: A Space Odyssey," "North By Northwest," "The Man Who Knew Too Much," a few other Hitchcock films, and one about mistaken identity that goes back to Shakespeare.

A computer takes over and runs, not just a space ship, but also everything electronic in the United States. Think about it: that's everything. On the way home, I thought I was getting messages from the signs on Interstate 43. There you go, that's another homage: to "LA Story."

A man, who is apparently innocent of everything except sloth gets caught up in a massive plan to kill the President and everyone else in succession to the big job, and at some point he finds himself running through a cornfield in, well it's Indiana, not Iowa, but the homage to "North By Northwest" is apparent.

When the time and place for the assassination is the floor of the U.S. Senate -- not Albert Hall, but a theatre nonetheless -- during the State of the Union address, at the exact moment that a specific note is played in the National Anthem and the hero must somehow stop it from happening, the echoes of
"The Man Who Knew Too Much" are obvious. The child in "Eagle Eye" has not been kidnapped but he is the pivotal reason for the hero being there, as in "TMWKTM."

An innocent man has no knowledge of how he has become involved, and the fate of the world will be determined by his actions. That is a highly recognizable plot synopsis. D.J. Caruso uses the technology available today, the pacing made popular by Paul Greengrass and the kind of editing you see in so many Hollywood movies to tell the story again with the twist this time being that the "intelligent designer" of this apparently total manipulation of the universe is a computer who functions with the ruthlessness of a true fundamentalist when it applies a strict meaning to the US Constitution.

The action sequences are straight out of a video game. Visually, they are better. Structurally, it is PlayStation 3 to the max. Since everything is manipulated by the all-powerful electronic eye of the computer, one gets a very clear feeling of being a pawn in a violent game against a machine that seemingly cannot lose and will go on until someone pulls the plug on the darn computer. (They actually try that, but it doesn't work.)

I felt exactly the way I feel when I'm playing "Asteroids" or even "Ms. Pac Man" -- the world is going to come to an end if I can't stop these little electronic blips from dropping little electronic bombs and making little electronic explosions all around me. I guess it's a little pathetic to get that involved in a video game.

Shia LeBeouf does what a movie star is supposed to do. He makes it all seem real enough so that you care about him and you get sucked in and begin to believe the story. You may have to have a little paranoia left over from the '70's and '80's, to really fall for this one.

Although there are a lot of films out lately that pre-suppose a force far greater, far more powerful and intelligent, than we are, manipulating and controlling our fate. And in most of those films, our fate is pretty dismal. Sometimes, the fate is disease. Sometimes, it is climate change -- nature taking back the planet -- even an asteroid in a film from several years ago, and there are always aliens out there and they almost always appear to be malevolent.

But, we are always at risk in popular literature. At risk and not in control of our own destinies. In our particular culture, if there isn't a superhero, there will be an ordinary human being who is to be able to take an extraordinary beating and keep on kicking. One who is able to drive like Steve McQueen, and survive shattering car wrecks and explosions by the skin of his or her perfect teeth, and this person, embodying all of our hopes and dreams and fantasies of ourselves, carries us to safety and subdues whatever overwhelming forces are set on our destruction and the American way of life survives.

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Posted by High_Life_Man on Nov. 8, 2008 at 12:47 p.m. (report)

It's Paul GreenGRASS. If you haven't seen his masterpiece, "Bloody Sunday", you must. It should have won best picture in 2002-2003 - it couldn't even be nominated because of some dumb academy rule. "Flight 93" was great as well. I'm looking forward to his take on "They Marched Into Sunlight." I'm hoping there will be some filming in Madison.