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Not all cover bands are cheesy, no-talent hacks. |
| By Dave Begel Special to OnMilwaukee.com E-mail author | Author bio More articles by Dave Begel |
| Published June 3, 2008 at 6:15 a.m. |
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This may be a generational thing, but I would love to say a few words in defense of cover bands.
In the interest of full disclosure, I am a guitar player and singer in a cover band. I'm not very good, but I'm smart enough to play with guys who are absolutely outstanding, so we are a lot of fun.
What prompts this is the recent flood of music copy on the pages of OnMilwaukee.com, sometimes implying, sometimes saying it outright, that cover bands are just for fogies and people who don't know anything about music.
For a definition, let's say a cover band that plays music written and performed and recorded by somebody else. A band that plays "Proud Mary," for example, is a cover band.
What I'm suggesting here is that to lump cover bands into the category of "things I need to avoid at all costs" cheats you out of some awfully good music.
Let it be understood that I am the exact opposite of a musical snob. Here's some of the stuff I love and always will:
Some Broadway show tunes ("Soon It's Gonna Rain" from "The Fantasticks" is one of my all-time faves).
Classical (Tchaikovsky's First Piano Concerto and Leoncavallo's "Vesti La Giubba" are at the top of my list).
Country ("Funny How Time Slips Away," written and sung by Willie Nelson, Patsy Cline's "Walkin' After Midnight" and "Remember When" by Alan Jackson rank high).
Not a lot, but some New Age (I confess that the Celtic Women catch my attention).
And it's not all old stuff. I love Coldplay and 3 Doors Down. I could listen to Sara Bareilles all night long. Grupo Montez de Durango sounds like they could have grown up on Milwaukee's South Side.
I also think local music has some great stuff. I still say Paul Cebar is one of the best around and John Sieger is a troubadour who can command a stage with anyone. I'm absolutely in love with Fever Marlene. I think Scott Starr and Kevin Dunphy are so good and so unique that they actually stand a chance of making it big. And Eddie Butts can get a crowd going better than almost anyone I've ever seen.
I guess the point I'm making is that music is a big tent. The ideal thing is to say you love good music, but don't limit it by genre.
Think of songs like "A Change Is Gonna Come" by Sam Cooke, "Johnny B. Goode" by Chuck Berry, anything by the Four Tops, "Satisfaction" by the Stones, "Nowhere to Run" by Martha Reeves & the Vandellas and "Dock of the Bay" by Otis Redding are true musical classics. They were outstanding songs decades ago and they are outstanding songs today.
I will also tell you that as far as musicianship goes, cover bands have people who can play with the best of them. It's not like they know three chords and everyone else knows dozens.
I really hope that my younger friends, some of whom have written on these pages in recent days, will open their hearts, minds and arms to cover bands. Sure, there are bad cover bands. But there is bad music in every genre.
Plus, it's important to understand that certain music is appropriate for certain occasions. If I want to sit on my couch with my feet up and reflect on life, I probably don't want to listen to Angel City Outcasts, an L.A. band that can really make you sweat. If I'm in the middle of a long road trip, you won't hear me listening to Edith Piaf. And when people go to a summer festival, they fall in love all over again with "Gloria," "Stand By Me" and "Good Golly Miss Molly."
And there ain't nothing wrong with that.
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