Imagination and daring are two things rarely associated with mainstream Hollywood releases. Many movies may start with interesting ideas, but after studios get their hands on them, break down the scripts into their most basic – and saleable – parts and screen test the film into oblivion, the original idea from the beginning is almost unrecognizable.
That's a part of the reason why "Looper" feels so fresh and fascinating. This isn't to say that the movie is good by exception or that it's only good because everything else is so bad. Writer/director Rian Johnson's wildly inventive time travel noir is great on its own merits; the fact that it represents a middle finger to the blandly predictable movies audiences have grown accustomed to is only a bonus.
Joseph Gordon-Levitt plays Joe, a "looper" for the mob in the future. A looper works as a low-level assassin; mob bosses from the future send people they want dead back in time to Joe, who kills them and disposes of the body. Besides the dirty profession, life is good for Joe; he's paid well for his services and has friends both at his level (like "Ruby Sparks"'s Paul Dano) and above, including the loopers' leader, Abe, played with a laid-back menace by "The Newsroom"'s Jeff Daniels.
That is, until the future sends back Joe's future self, played by Bruce Willis, for elimination. Joe accidentally lets Future Joe escape, causing a massive manhunt as the rest of the looper crew – as well as specialized killers called gat men – tracks down Joe, who's chasing after his older self in the hopes of saving himself.
I hope you got all of that because that's only half of the story. Breaking down the labyrinth of timelines and plotlines in "Looper" into a few scant paragraphs is simply not something the human mind is capable of doing.
Yet even with its crazy, mind-bending story (Emily Blunt also plays a role far more important than the previews and ads would make it seem), "Looper" never becomes impenetrable as many time travel films can. Johnson's written a puzzle indeed, but one that can be enjoyed on a single viewing and enhanced with others.
It's not just the intricate story that's worth coming back for. Johnson's dystopian future (is there really any other kind?) is intriguingly thought-out. The intricacies of the future mob and its dealings are fascinating to watch unfold, and the universe the mobsters and loopers play around in – a noir-tinged vision of bad guys, bad women, drugs and dark alleys infested with poor – is thrilling.
His dialogue is just as whip-smart. A conversation between Joe and Old Joe at a country diner, for instance, simply crackles. Johnson has to pour out a lot of exposition and details about his time travel future and the people in inhabit it, so the fact that "Looper" never feels like an info dump (a problem even "Inception" found itself with) is a tribute to the writing, which manages to make the much-maligned use of voiceover interesting.
Johnson made his memorable debut with 2005's "Brick," the modern high school mystery that talked like a hardboiled detective noir. If that film's hyper-stylized dialogue was Johnson's bold, if flawed, introduction to audiences, "Looper" represents his hard-edged creativity finessed. A few times, admittedly, the drama gets a bit overheated, especially whenever Joe's bumbling gat man rival gets involved, but this is a small price to pay.
For those looking for intense action, "Looper" provides that as well. Johnson is still developing as an action director; for instance, he indulges himself on a few lens glares, though nowhere near a J.J. Abrams level. However, his setpiece moments are still intense and pulse-pounding. And as hoity-toity as this sounds, his camera movements are refreshing to watch, relying more on pans and tilts than the usual shaky cam-crazy edits combo directors have beaten audiences into accepting.
I know this review has pretty much been 663 words of verbal drool. I can admit "Looper" has some flaws, especially midway through the film when the story changes tone and slows down its electric pace. Never mind that; it picks back up easily (with one of the movie's best sequences for that matter). So pardon my enthusiasm; movies as invigorating as this just don't come around enough.
No Talkbacks for this article.
Post your comment/review now
Disclaimer: Please note that Facebook comments are posted through Facebook and cannot be approved, edited or declined by OnMilwaukee.com. The opinions expressed in Facebook comments do not necessarily reflect those of OnMilwaukee.com or its staff.
Recent Articles & Blogs by Matt Mueller
Published May 28, 2015
On the eve of the release of their second album, "Fragments," OnMilwaukee.com sat down with Karen Muehlbauer, Ignacio Catral and Keith Bauer of the Milwaukee-based indie rock band The Violet Hour to chat about their significant change in musical direction, the new album, their affinity for ping pong and how one of them is secretly a Sarah McLachlan fan.
Published May 26, 2015
The origins of the Spare Change Trio probably sound like something you've heard a variation of before. What you may not have heard before in the Milwaukee music scene, however, is something quite like the Spare Change Trio's sound - a mix of jam-happy reggae roots rock with a dash of something from Down Under: a didgeridoo.
Published May 25, 2015
Comedy sequels typically serve as an invitation for disappointment. There are a few exceptions (see: the meta mayhem of last summer's "22 Jump Street"), and thankfully the minorly flawed but majorly funny "Pitch Perfect 2" slides in amongst them.
Published May 25, 2015
The Blake Lively romantic drama "The Age of Adaline" feels like a fairy tale - an incredibly pretty one at that - but told like a lab report.
Published May 14, 2015
The new Sundance-approved Jack Black high school reunion comedy "The D Train" is a darkly oddball mix of laughs and drama simultaneously amusing and cringe-inducingly awkward. So ... pretty much just like my high school days all over again.
Published May 14, 2015
Located in Hales Corners, the W. Ben Hunt Cabin is much more than simply an old rustic locale. It's a lived-in museum to an era long gone, as well as a tribute to an incredible man who predicted the future, turned his hobby into history and did his best to keep some of our nation's earliest traditions from disappearing and merely collecting dust in the past.
Published May 11, 2015
Monday evening, Ald. Tony Zielinski held a community meeting in order to address the recent rumors and speculation concerning the potential sale of At Random - in addition to five other buildings held by the same owner - and to take community input concerning the neighborhood bar.
Published May 10, 2015
"Hot Pursuit" isn't a particularly strong film, and admittedly there's not much of a rousing defense to be made for it (get that pull quote ready for the ad campaign!). But there is one element - and a fairly significant one at that - in the movie's corner: Reese Witherspoon. I will go to bat for her delightfully bright eyed performance here, one that serves as just enough of a sparkplug to almost single-handedly get this tired comedic vehicle where it's going.
Published May 6, 2015
2003's "Big Fish" is a sweet and delightful - and not just because it's one of the few times this side of the millennium you could honestly say, "I enjoyed a Tim Burton movie." Now First Stage will attempt to bring Burton's signature oddball visuals and "Big Fish" author Daniel Wallace's imagination-rich book to live, musical life on stage. In charge is director Jeff Whiting, who chatted with us about bringing tall tales - and taller giants - to life.
Published May 5, 2015
With new headliner and schedule announcements popping up seemingly everyday, the sunny sonic spectacle that is the Big Gig is finally beginning to take shape. But while most of the work takes place in closed-door meetings and over negotiation-heavy phone calls, a part of the Summerfest process has also been taking place on a stage right out in the open, featuring local bands hoping to win in front of a crowd of fans hoping to be won over.