The antsy electro-pop rock duo Matt & Kim hit the U.S. Cellular Stage Friday night much like one of the many downpours from earlier in the day. They hit fast. They hit in a fury. And just like that, the crazed storm of energy was over.
That’s not to say that the set was short. The Brooklyn-based couple delivered a respectable hour of tunes. They just performed with such a caffeinated fervor that the set seemed to fly by.
The smiling duo started with a bang with the active opener "Block After Block," complete with lead singer/keyboardist Matt Johnson’s wild arm gestures and Kim Schifino’s thunderous drumming that left her with a broken snare. The only thing missing was Johnson’s vocal track, which was occasionally lost amongst the drumming and chirpy electronic melodies.
Johnson and Schifino made their voices clear during their many giddy interactions with the crowd. Early on, Johnson quoted the classic summer opus "Hot in Herre" to set the scene, and after the second number, "Overexposed," Schifino happily announced that she had just wrecked another snare.
Later on, the real-life romantic pair voiced their appreciation for the Milwaukee crowd and, before "Silver Tiles," joked about their sex lives. One of the main topics was Matt’s newly discovered flexibility while climbing the side of the stage during "Cameras." It wasn’t as awkward as it sounds, I swear.
When they weren’t chatting, they – and the crowd – were dancing to the tiny interludes of rap, hip-hop and dubstep in between numbers. Near the end of the show, the freakishly tireless Kim got to do her traditional twerk-happy dance break, and Matt aptly compared the concert to an episode of "The Ellen Show." There was also a brief sing-a-long of the Violent Femmes’ "Blister In the Sun," but that was fairly twerk-free.
Even when they weren’t frantically dancing, the energy transferred over to the music. "Cameras" still had its clattering, exciting vibe, and "Let’s Go" – the band’s current hit, making the rounds on SportsCenter – was a chipper little fun-times anthem. The strobing "Now" and the spunky "Yea Yeah" both provided contagious chants that got the whole crowd going.
Kim stepped out from behind the drums and took the mic for the set’s one quiet moment, the piano ballad "Ten Dollars I Found" lit only by the crowd’s cell phones. As soon as the number was over, however, Matt & Kim gleefully went back to their hyper ways with "Lessons Learned."
After playfully teasing it early in their set, there was no other way for Matt & Kim to end the show than with their biggest hit, the catchy, clattering "Daylight."
Even with the encore "It’s Alright," the concert came and went like a lightning strike on stage. It was a quick fierce blast. If you blinked, you might have missed it, but no matter what, you certainly felt the group’s electricity.
1 comment about this article.
Post your comment/review now
Disclaimer: Please note that Facebook comments are posted through Facebook and cannot be approved, edited or declined by OnMilwaukee.com. The opinions expressed in Facebook comments do not necessarily reflect those of OnMilwaukee.com or its staff.
Recent Articles & Blogs by Matt Mueller
Published July 28, 2014
The haunting music and beauty of "The Phantom of the Opera" - now playing at the Marcus Center for the Performing Arts - can still summon shivers, even right in the middle of the dog days of summer.
Published July 26, 2014
For just two guys, Royal Blood is certainly making a lot of noise. With the band's debut album set to arrive next month, the raucous duo of Mike Kerr and Ben Thatcher is now on the road, with a stop at The Rave Monday, July 28 next up on the schedule. Before then, however, OnMilwaukee.com got a chance to chat with Thatcher about the band's origins, its inspirations and the all-too-deservedly forgotten '90s band Aqua.
Published July 24, 2014
Every now and then, the writers here at OnMilwaukee.com decide to give other, unique jobs a try. Some have tried cheesemaking. Others the ballet. Me? Well, I fought in the Civil War.
Published July 22, 2014
"The Purge: Anarchy" finds DeMonaco coming closer to turning a good premise into an actually good movie. The sequel still feels like a missed opportunity for something smarter, sharper and just overall better, but hey, at least he made a decent horror thriller this time.
Published July 22, 2014
In addition to the successful rotation of the Oriental, the Downer and the Fox Bay movie theaters, the 2014 Milwaukee Film Festival has recruited the Times Cinema to its Avengers team of old school Milwaukee movie houses.
Published July 21, 2014
Thankfully, "Fire and Rescue" is a step above its predecessor, if only because the movie was actually made for big screen consumption this time. Gone is the stiff, antiseptic joylessness of the first film, now upgraded to mere bland competence. If "Planes" was like eating cardboard, "Fire and Rescue" is slightly more digestible cardboard. So progress?
Published July 19, 2014
All musicians create new music. Even the most derivative Top 40 hit features a new combination of notes and lyrics. Very few, however, can claim to have come up with a whole new genre of sound. Chicago blues extraordinaire Corky Siegel is one of those few.
Published July 17, 2014
As a fan rooting for Argentina in the World Cup, last weekend was likely a little rough for Italian crooner Patrizio Buanne. This upcoming weekend, however, is shaping up much more nicely with two headlining performances set for Festa Italiana.
Published July 15, 2014
Today marked the kickoff of the Greater Together Challenge, a competition launched to create awareness, hope and ideas to dismantle segregation, as well as address racial and economic inequality in greater Milwaukee.
Published July 15, 2014
Even though it's not even 30 years old, Andrew Lloyd Webber's musical retelling of "The Phantom of the Opera" has turned into a truly iconic story, one whose elements are ingrained in the memory even if you haven't seen it. So to tinker around with the show is a bold idea. But that's exactly the case with the upcoming production of the show coming to the Marcus Center for the Performing Arts.