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Bob Cavallo shot footage at Summerfest '71. Here it is.

VIDEO: Prepping for Summerfest 1971

I spent a fair amount of the late spring this year writing about the history of Summerfest, which, as you all surely know by now, is celebrating its 50th Big Gig.

You can read that baby here.

There is nothing like a photograph to help bring to life the festivals of the past, which is what I thought when I posted these images of Milwaukee having fun at Summerfest in the past as an accompaniment.

But what really takes one back is film and video. And thanks to Milwaukee rock and roll photographer – and musician – Bob Cavallo, we have some footage he shot of the set-up for Summerfest 1971.

Among the performers that year were pioneers B.B. King, Chuck Berry, Little Richard, Bo Diddley, The Coasters, The Drifters and Muddy Waters. Also on tap were country stars Jeannie C. Riley, Sonny James, Ray Price and Roy Clark; as well as teen hitmakers like Bobby Sherman and The Jackson 5; rock acts like Mountain, John Sebastian and Blood, Sweat and Tears; and jazz artists like Woody Herman.

Cavallo's band The Messengers also performed on an eclectic bill that also included Sherman and the Milwaukee Symphony Orchestra. It was when The Messengers split up that year that Cavallo traded his drum sticks for a camera and began working for his father, who was a photographer.

It's interesting to see the glimpses of the skyline and, especially, of the poured concrete supports for the future Hoan Bridge before any of the deck was constructed.

Also interesting to see how a couple guys used a rope and pulley system to fly the speaker cabinets for the P.A. systems onto less-than-solid-looking scaffolding and to see the tents, stages and what appear to be rows and rows of folding chairs for seating.

The festival, my friends, has come a long way.

Thanks to Bob for this great footage.

Oh and, because this was 1971, some shirtless stagehand had to moon the camera, so if nudity offends you, don't watch.

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A landmark of reggae and the punk scene, "Two Sevens Clash" is now 40 years old.
A landmark of reggae and the punk scene, "Two Sevens Clash" is now 40 years old.

40 years on "Two Sevens Clash" still captures militant zeitgeist of punk, reggae

It was 40 years ago today that The Clash, Sex Pistols and other like-minded fellow travelers fueled the punk revolution in the U.K. and the Ramones, Patti Smith and others did the same here.

Less celebrated, perhaps, is the fact that Jamaican roots reggae was in its heyday at the same time, a fact that did not go unnoticed or unappreciated by punks on both sides of the Atlantic.

(Photographer unknown)

You won’t have to spend much time searching Google to find photos of Smith chilling with Tappa Zukie and Burning Spear’s Winston Rodney, or Johnny Rotten hamming it up with Big Youth for Dennis Morris’ camera.

(PHOTO: Dennis Morris)

The Clash celebrated all the big names of Jamaican music in "White Man in Hammersmith Palais" and covered Junior Murvin’s "Police & Thieves." Rotten traveled to Jamaica to scout talent for Virgin’s Front Line reggae subsidiary.

One of the most important records of the era – and the one perhaps most treasured by punks – was Culture’s "Two Sevens Clash," a reference to July 7, 1977, a date predicted by Marcus Garvey to unleash chaos. Many Jamaicans stayed inside that day and Culture’s hit song captured the zeitgeist not only of that experience but of the upheaval in the international music scene, thanks to the punks’ rip it up and start again attitude.


(PHOTO: Heartbeat Records)

The album, produced by Joe Gibbs, featured the inimitable voice of lead singer Joseph Hill – who died in 2006 – with harmonies by Albert Walker and Kenneth Dayes. Songs like the title track, "I’m Not Ashamed," "See Them A Come" and "Natty Dread Taking Over" were urgent and catchy.

Gibbs tapped Kingston’s top studio talent – drummer Sly Dunbar, bassist Lloyd Parks, saxman Tommy McCook, among others – to provide the backing.

"Their message," wrote Gibbs in the liner notes on the original sleeve. "The unforgotten suffering of their ancestors as they toiled in blood, sweat and tears, only to perish."

Some – most notably "Black St…

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The world's longest bar? Maybe. But definitely one of the most unusual, with a wrestling ring in the middle.
The world's longest bar? Maybe. But definitely one of the most unusual, with a wrestling ring in the middle. (Photo: The Vanguard)

Tom Terris and the world's most unique nite club

This morning, the lovely people at The Vanguard asked about Club Terris, and sent a few images from old matchbooks that showed the nightclub’s rather unique layout, with a wrestling ring surrounded by a bar.

I love to be asked about old Milwaukee places – or not so old ones, for that matter – that I haven’t heard about before because it makes me dig. In a quick dive into the books, I uncovered a few nuggets.

Club Terris was located in a two-story building at 521-31 W. Wells St. with a cream-colored terra cotta facade, according to OldMilwaukee.net, a great local resource.

"The Terris Club was a burlesque club which operated for more than 30 years and was owned by businessman and boxing promoter, Tom Terris," the site notes. "The club gained fame in 1958 when it switched over from live musicians to recorded music to save on the higher costs of the union musicians."

The building itself – shared with Spheeris Brothers sporting goods store – burned in March 1960 and was razed in 1964.

The Terris Club was notable enough to get some references in Billboard magazine.

In a September 1946 review, the national music and entertainment magazine noted that the place had recently been remodeled. There was no cover charge – a fact also noted on the matchbooks – and there were floorshows at 10 and 11:30 p.m. and at 1 a.m.

"Club Terris has a floorshow that is packing people in, and Saturdays and Sundays see a line outside. Club emcee Jimmy Method, and stripper Winsome Wynette are the draw," Billboard wrote. "Method’s nonchalant and often-insulting banter with the customers is greeted with shouts of laughter. ... Winsome Wynette, a looker, comes out in bra and g-string and quivers and shakes her hips. Accompanying low blues music by ork (sic, orchestra) adds to sensuous act. Gets a big hand."

A few other performers earned a mention, too...

"Marty Off, who has an excellent tenor voice, handles classical arias as well as pop songs. Could do as well in oth…

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Got a hog? Hop on and help out a good guy.
Got a hog? Hop on and help out a good guy.

Open Road Angels host benefit ride for local radio legend Larry Hansen

There are some folks you meet that are always happy to help and never seem to want anything. They're the good people that make life a joy.

Milwaukee radio veteran – legend, even – Larry Hansen is one of those guys. I've never heard anyone say anything but a kind word about Larry, who I met through Andy Tarnoff when Hansen was involved in producing early OnMilwaukee commercials.

On Dec. 8 last year, while working on his car in the garage of his Okauchee home, a driver swerved off the road and hit him. Since then, Larry has undergone numerous surgeries for many injuries and he lost a leg.

Because he's always been such a kind guy, folks are eager to lend a hand, and at least one benefit has been held for him to help cover medical costs.

Now, there's another one this weekend.

Larry's Benefit Ride, Saturday, June 10 at 11 a.m., takes place at the Okauchee American Legion Post, N50W34750 Wisconsin Ave.

The event is hosted by the Open Road Angels Female Bike Group and The Okauchee Legion #399.

"These gals are awesome," Larry says. "They're doing this benefit this Saturday for me to
help offset some of the expenses associated with my prosthetic leg."

Registration runs from 9:30 until 10:45 a.m. and kickstands go up at 11. The Sawyer Road Band will perform from 2 to 6 p.m. and there will be a silent auction and 50/50 raffle, as well as food available for sale all day.

Should it rain, the event will be moved to Sunday. But call ahead if there's precipitation.

Donation is $15 for riders and $10 for passengers.