My most inspirational theater person
The year ends, and critics are expected to come up with lists. The best, the worst, the most surprising – you know the drill.
Being a rebel at heart, I am ignoring the annual string of superlatives to give you one name and declare its owner the most inspirational theater person I have encountered in 31 years of writing about the stage. Richard DiPrima is an unassuming Madison clinical psychologist who gave up his practice to follow a blazing passion: encourage and enable children and teens to perform in rigorous classical stage productions.
Beginning in the backyard of DiPrima's Madison home in 1980, the Young Shakespeare Players have given about 3,000 young persons the opportunity to speak lines written by Shakespeare, Dickens and George Bernard Shaw in full productions, individual scenes and readings.
From the early years as a summer-only outdoor operation, YSP has grown into a vigorous year-round program headquartered in a ramshackle structure that was built as a church in the 1920s. The building is on Madison's near west side, a few blocks from Camp Randall.
Any child who wants to be in a production is given a speaking role. That results in as many as seven casts per show.
There are no auditions. Kids apply to play specific characters and do some sample readings. A combination of peer voting and the judgement of DiPrima and his wife, Anne, who serve as co-directors of the Young Shakespeare Players, determine the casting.
The founder is not keen on shaping children into little acting machines. "We are not interested in turning a child into a theatrical product. Our product is self-knowledge, self-confidence and self-respect.
"Our kids know they can do anything," he says.
The actors pay a tuition of $540 for a full length play, but about a third of them seek and receive fee-reducing scholarships. There is no means testing, and no child is turned away.
Public performances in the 91-seat theater are always free.
I wrote two lengthy pieces about the group during my years as theater critic for the Journal Sentinel, and it remains a remarkable story because DiPrima continues to develop YSP and take it in new directions.
The group has mounted full and uncut productions of 17 of Shakespeare's plays, and workshop stagings of nine or 10 more. Many of the plays have been produced many times.
Mirroring the approach the American Players Theatre takes to doing Shakespeare in Spring Green, the YSP actors, who range in age from 7 to 18, don't simply memorize their lines. They study the meaning of every word they speak.
"Ninety percent of the emotional content in Shakespeare comes from his imagery," DiPrima says. "I want the actors to understand their characters as Shakespeare wrote it."
Language rhythm is also emphasized by DiPrima, who notes that 75% of the lines actors speak in Shakespeare's plays are in verse.
"We are in the age of texting and tweeting," he says. "We can't lose the thing that makes us most human, our language."
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YSP has been the best thing I have ever let my kids do. Like many YSP families, it all started when we went to a production my friend's daughter was in. At the intermission, my daughter, age 11, looked to me and said, "I MUST DO THIS"! It was the outlet for her dramatic side, her creativity, her assertiveness that she needed. There's been no turning back. My son is now involved and they are both thriving as actors, learning valuable aspects of friendship, work ethic, and independence. I've also developed a love affair with the theater, something that I'd never thought much about before age 40. The experience has been no less than amazing. Richard and Anne are no less than amazing. Thank you for recognizing them in this article. I'm so glad other people get as excited about the program as I do. ~Kristin S. Johnson P.S. Totally contrary to Shakespeare's magnificent works, I promote the theater on Twitter. Feel free to follow @yspmadison if you'd like updates on what is going on. We also have a Facebook page. /youngshakespeareplayers
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