The White House is under attack. Flames bellow from the Oval Office as armed militia storm one of the most iconic and important symbols of America, shooting anyone in a suit in their path. The American people and the surviving members of the cabinet watch in horror as the country teeters on the brink of disaster. It’s up to one man to fight the assault and save the President: a wannabe Secret Service agent played by hunky star Gerard Butler.
Wait … hold on a second. Sorry, it seems I’ve mixed up my "Olympus Has Fallen" notes from a couple months ago with my "White House Down" notes. Let’s try this again: The White House is under attack, and it’s up to one man (Channing Tatum) to fight the assault, save the President and convince potential viewers that no, this isn’t just a more expensive version of the same movie they saw three months ago.
It’s too bad "White House Down" will always be considered the knock-off (they both began filming last July), because it’s also easily the more entertaining of the two.
Tatum plays the all-American everyday hero with the action movie-approved name John Cale. In the middle of a failed job interview and White House tour with his history buff daughter (Joey King, who played the young Talia al Ghul in "The Dark Knight Rises"), a group of terrorists take over the building and plot to capture the President. A silver-haired James Woods plays the mastermind; Jason Clarke from "Zero Dark Thirty" is his steely second-in-command.
Luckily, Tatum does his best John McClane impression (he even strips down from his GQ-approved, undone top button suit and tie to a white wifebeater) and intervenes, saving the peace-seeking Commander-in-Chief, played by Jamie Foxx. With escape impossible, the two team up to fight the terrorists as James Vanderbilt’s script turns into a "Die Hard"-buddy cop lovechild (so "Die Hard with a Vengeance"), with Tatum playing the action savvy hero and Foxx as the stodgy, peace-seeking partner.
Even the most peace-loving of presidents, however, can get pushed too far, leading to, yes, repeatedly kicking a terrorist for touching his Jordans.
It’s silly, but unlike its predecessor, "White House Down" owns its silliness. The movie knows the concept of the White House getting taken over is audience pandering and frankly preposterous (you’d think the White House would be prepared for the "sneak-in-as-janitors" approach). So instead of playing it straight, they have fun, adding some much-needed humor and personality in between the exciting explosions and rehashed action movie clichés. And there are plenty of both.
There’s a big, ominous red-numbered countdown clock. There’s a punchably smug villainous techie and a heavy that looks like a skinnier version of Bennett from "Commando."
All of the characters are pretty much types. The down-on-his-luck hero/father, the noble figurehead, the exhausted ex-wife (barely worth mentioning) and the cocky military head who midway through the movie makes a dumb decision despite everyone knowing it’s a bad idea all make their scheduled appearances.
Vanderbilt and disaster-happy director Roland Emmerich ("2012," "Independence Day") follow the "Die Hard" playbook pretty closely, and when they’re not pulling from that ’80s classic, they’re copying Emmerich’s own tried-and-true blockbuster formula.
This was the same problem with "Olympus Has Fallen," but it’s amazing what a little charisma and energy can do for a movie. While its older sibling simply took the bare bones outline from its obvious inspiration, "White House Down" adapts its structure and its spirit. As a result, it plays less like a bland rip-off and more like an enthusiastically entertaining throwback.
Even though he’s been scaled back from having the entire globe as his explosive plaything to a single building, Emmerich still stages several satisfying adrenaline-fueled gunfights and fireballs. It is PG-13, but the action is still gleefully destructive, tense and exciting.
Most importantly, he has a likeable lead duo that is a lot of fun together. Tatum and Foxx aren’t exactly extraordinary actors, but they’re above-average movie stars with above-average buddy chemistry on screen. They make Vanderbilt’s good banter and quips pop, and his dopier lines, uh, less dopey (Foxx can’t do too much with some of his character’s finger-pointing speeches against the military-industrial complex, which sound like they were pulled from a very special episode of "Captain Planet").
They’re clearly having fun, and I did too, even if my brain kind of hated me for it afterward. If "Olympus Has Fallen" was the rote, by-the-books first part of a Fourth of July fireworks show, then "White House Down" is the grand finale, with everything thrown into the air and blown up in the name of mindless entertainment.
No Talkbacks for this article.
Post your comment/review now
Disclaimer: Please note that Facebook comments are posted through Facebook and cannot be approved, edited or declined by OnMilwaukee.com. The opinions expressed in Facebook comments do not necessarily reflect those of OnMilwaukee.com or its staff.
Recent Articles & Blogs by Matt Mueller
Published May 28, 2015
On the eve of the release of their second album, "Fragments," OnMilwaukee.com sat down with Karen Muehlbauer, Ignacio Catral and Keith Bauer of the Milwaukee-based indie rock band The Violet Hour to chat about their significant change in musical direction, the new album, their affinity for ping pong and how one of them is secretly a Sarah McLachlan fan.
Published May 26, 2015
The origins of the Spare Change Trio probably sound like something you've heard a variation of before. What you may not have heard before in the Milwaukee music scene, however, is something quite like the Spare Change Trio's sound - a mix of jam-happy reggae roots rock with a dash of something from Down Under: a didgeridoo.
Published May 25, 2015
Comedy sequels typically serve as an invitation for disappointment. There are a few exceptions (see: the meta mayhem of last summer's "22 Jump Street"), and thankfully the minorly flawed but majorly funny "Pitch Perfect 2" slides in amongst them.
Published May 25, 2015
The Blake Lively romantic drama "The Age of Adaline" feels like a fairy tale - an incredibly pretty one at that - but told like a lab report.
Published May 14, 2015
The new Sundance-approved Jack Black high school reunion comedy "The D Train" is a darkly oddball mix of laughs and drama simultaneously amusing and cringe-inducingly awkward. So ... pretty much just like my high school days all over again.
Published May 14, 2015
Located in Hales Corners, the W. Ben Hunt Cabin is much more than simply an old rustic locale. It's a lived-in museum to an era long gone, as well as a tribute to an incredible man who predicted the future, turned his hobby into history and did his best to keep some of our nation's earliest traditions from disappearing and merely collecting dust in the past.
Published May 11, 2015
Monday evening, Ald. Tony Zielinski held a community meeting in order to address the recent rumors and speculation concerning the potential sale of At Random - in addition to five other buildings held by the same owner - and to take community input concerning the neighborhood bar.
Published May 10, 2015
"Hot Pursuit" isn't a particularly strong film, and admittedly there's not much of a rousing defense to be made for it (get that pull quote ready for the ad campaign!). But there is one element - and a fairly significant one at that - in the movie's corner: Reese Witherspoon. I will go to bat for her delightfully bright eyed performance here, one that serves as just enough of a sparkplug to almost single-handedly get this tired comedic vehicle where it's going.
Published May 6, 2015
2003's "Big Fish" is a sweet and delightful - and not just because it's one of the few times this side of the millennium you could honestly say, "I enjoyed a Tim Burton movie." Now First Stage will attempt to bring Burton's signature oddball visuals and "Big Fish" author Daniel Wallace's imagination-rich book to live, musical life on stage. In charge is director Jeff Whiting, who chatted with us about bringing tall tales - and taller giants - to life.
Published May 5, 2015
With new headliner and schedule announcements popping up seemingly everyday, the sunny sonic spectacle that is the Big Gig is finally beginning to take shape. But while most of the work takes place in closed-door meetings and over negotiation-heavy phone calls, a part of the Summerfest process has also been taking place on a stage right out in the open, featuring local bands hoping to win in front of a crowd of fans hoping to be won over.