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Local movie fans attempt to bring more lion-sanity to town with "Roar"

Published July 23, 2015

If the last two days have proven anything, it's that Milwaukee will freaking lose their mind over the mere idea of a lion. At least, local movie fans Stephen Milek and Christopher Kai House certainly hope that is the case, as the two film buffs attempt to bring the notoriously insane 1981 thriller/borderline snuff film "Roar" to town.

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Ryan Reynolds' immortality thriller "Self/Less" is disappointingly soul/less

Published July 19, 2015

Tarsem Singh is a man who spent about four years and much of his own money traveling the globe's most outrageously beautiful locales in order to make his magnum opus "The Fall." So how'd he end up standing behind the camera of "Self/Less," an utterly anonymous and impact-free immortality action-thriller that - much like the fresh if not quite new bodies being peddled in the film - seems "alive only in the most basic sense"?

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"Terminator: Genisys": Hasta la vista, franchise reboot potential

Published July 12, 2015

Whenever some pop cultural hallmark gets a shiny new Hollywood remake or reboot, the Internet's response is always the same, to the point that you might as well give it its own key on the keyboard: "They're destroying my childhood!" In all cases, it's complete hyperbolic fanboy spazzing - all, except for maybe the case of "Terminator: Genisys" (the silly bonus y nicely echoing my main line of thought while watching the movie).

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"Magic Mike XXL": The abs-olute people-pleasing sequel of the summer

Published July 11, 2015

Channing Tatum must've heard your laments concerning the first "Magic Mike" film and brought most of the gang back together for "Magic Mike XXL," the best possible version of the sexy, silly male stripper movie audiences thought they were getting the first time though.

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All the feels: The emotional powerhouse "Inside Out" is a paragon of Pixar

Published June 23, 2015

Let the debate begin on whether "Inside Out" is the best Pixar film - my vote: it's up there - but it certainly might be the most Pixar film, an exemplar of the studio's signature combination bright, brilliant creativity and ageless, profound emotional deftness working in glowing harmony.

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